Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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unknow artist
Cocks and Peafowl 060
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ID: 46623

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unknow artist Cocks and  Peafowl 060


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unknow artist

  Related Paintings of unknow artist :. | Classical hunting fox, Equestrian and Beautiful Horses, 244. | Napoleon in the plague house in Jaffa | Sultan Selim III in Audience | Portrait of Laurids Lauridsen Thurah | European city landscape, street landsacpe, construction, frontstore, building and architecture. 096 |
Related Artists:
Pieter Neefs
(also Neefs; 23 May 1620-after 1675) was a Flemish Baroque painter who specialized in architectural interiors of churches.Born and active in Antwerp, he was trained by his father, Pieter Neeffs I.Their works, in fact, are very similar and attributions of their individual hands can be difficult. His brother Ludovicus Neefs has also made similar paintings.
Jean-Baptiste Monnoyer
(12 January 1636 - 20 February 1699) was a Franco-Flemish painter who specialised in flower pieces. He was attached to the Gobelins tapestry workshops and the Beauvais tapestry workshops, too, where he produced cartoons of fruit and flowers for the tapestry-weavers, and at Beauvais was one of three painterswho collaborated to produce cartoons for the suite The Emperor of China. He was born at Lille, but was in Paris by 1650, where he was documented working on the decors of the Hôtel Lambert. He was taken up by Charles Le Brun for decorative painting at the Château de Marly and at the Grand Dauphin's residence, the Château de Meudon. He was received at the Academie Royale de Peinture et de Sculpture in 1665 with a piece of the genre that he made his specialty, a still life of flowers and fruit combined with objets d'art. His only appearance at the Paris salon was in 1673.
BERCHEM, Nicolaes
Dutch Baroque Era Painter, 1620-1683 Nicolaes Pieterszoon Berchem (1 October 1620 - 18 February 1683) was a highly esteemed and prolific Dutch painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number allegories and genre pieces. Born in Haarlem, he received instruction from his father Pieter Claesz, and from the painters Jan van Goyen, Jan Wils and Claes Cornelisz. Moeyaert. (It is not known why he called himself Berchem or Berighem, and other variants). For some time it was supposed Berchem traveled to Italy with a fellow painter Jan Baptist Weenix, whom he called his cousin. In 1645 he became a member of the Dutch reformed church and married the year after. Being a widower he married the daughter of Jan Wils. Around 1650 he did travel to Westphalia with Jacob van Ruisdael. May be Berchem went to Italy after this trip and before he moved to Amsterdam. Around 1660 he worked for the engraver Jan de Visscher designing an atlas. In 1670 he moved back to Haarlem, but Berchem died in Amsterdam in 1683. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn are sought after. Berchem also painted inspired and attractive human and animal figures in works of other artists, like Allaert van Everdingen, Jan Hackaert, Gerrit Dou, Meindert Hobbema and Willem Schellinks. The French Rococo painter Jean-Baptiste Pillement was influenced by his works.






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